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Bundes-Jogi
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Grasdaggl
Hasenrupfer hat geschrieben:Wird's bei dir früher donggl? Äquatornähe oder so.


Nein.

„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).





Bundes-Jogi
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Grasdaggl
Dieses Gedicht wurde vor Ewigkeiten von einem unserer Musiklehrer vertont, und er hat es uns zu Gehör gebracht. Hatte was von Hape Kerkelings "Hurz", war ber zeitlich davor, 1980er Jahre. Unsere Reaktion sagte dem guten Mann nur bedingt zu. Wir haben wohl ähnlich ratlos dreingeschaut wie das Publikum bei "Hurz".

„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).







Bundes-Jogi
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Grasdaggl
Hasenrupfer hat geschrieben:Des war halt doch nur der Gärtner.

Dachte, du redest in Lovecraftian'schen Zungen...


Auch.

The Deep Ones are creatures in the Cthulhu Mythos of H. P. Lovecraft. The beings first appeared in Lovecraft's novella The Shadow Over Innsmouth (1931), but were already hinted at in the early short story "Dagon". The Deep Ones are a race of intelligent ocean-dwelling creatures, approximately human-shaped but with a fishy appearance. They regularly mate with humans along the coast, creating societies of hybrids.

Numerous Mythos elements are associated with the Deep Ones, including the legendary town of Innsmouth, the undersea city of Y'ha-nthlei, the Esoteric Order of Dagon, and the beings known as Father Dagon and Mother Hydra. After their debut in Lovecraft's tale, the sea-dwelling creatures resurfaced in the works of other authors, especially August Derleth.[1]
„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).


Bundes-Jogi
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Grasdaggl
Goofy hat geschrieben:ich verstehe kein Wort.

Om was gohts bei eich grad?


Um Cthulhu.
Um Arkham.
Und um Carcosa.
„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).






Bundes-Jogi
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Grasdaggl
The “NIP” Kiss
In the “nip kiss”, the procedure is the same as the ordinary kiss except that, instead of closing your lips with the kiss, you leave them slightly open and, as though you were going to nibble on a delicious tidbit, take a playful nip into either the nape of the neck, the cheek or the lips. Just a nip is enough. And the resultant pleasure, I assure you, will more than compensate for the slight inconvenience of pain.

Now there might be some of you who may wonder why such kissing subterfuges and substitutes are necessary. It is only that man is a questing animal. He is never satisfied with the ordinary and commonplace because the commonplace, after a time, becomes very boring. Not that I mean to infer that the usual “lip kiss” is commonplace - absolutely not!

The “lip kiss,” as I have mentioned before, is the piece de resistance, the main course in the “banquet of love” as the poet Ovid called it.

But imagine a meal in which there were seven courses of filet mignon or seven courses of lobster. You’d get sick and tired of a tender filet after the third course, wouldn’t you? And after the second lobster, you wouldn’t be able to look a lobster in the eye, that is, providing a lobster has eyes. So you see why it is that if the lip kiss were indulged in exclusively, you would reach a point where it would lose all of its rapturous savor.
„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).