564 Beiträge


Auswurf
Benutzeravatar
Grasdaggl
was hab ich alles überlesen, oder einen witz nicht verstanden ???
Und weil heute Fragetag ist..
Dein vater jahrgang 1908 ist noch mitten unter uns?
das ist doch keine Musik


Auswurf
Benutzeravatar
Grasdaggl
midm denka, ischs bei mir so a sach..
ond obschdlr hanni koin.
Da müsste ich schon zu meinem Vater, aber das geht ja nicht :(
das ist doch keine Musik

Unter Westfalen
Benutzeravatar
Grasdaggl
Wenn man wüsste,
dass Du auch ab und zu in Dein Postfach schaust
und vielleicht auch mal antwortest,
könnte man dir helfen. 8)
Für eine freie und selbstbestimmte Ukraine.



Unter Westfalen
Benutzeravatar
Grasdaggl
Danke, Haber.
Habe mir das Laterna-Video angesehen, oder besser angehört.
Der Klang erinnert mich an die Miniaturörgelchen, auf denen man immer nur dasselbe Liedchen klimpern konnte.

Und ja,
eindeutig der Einfluss auf die griechische Musik.

Ich revanchiere mich mit einer Dokumentaraufnahme.

Für eine freie und selbstbestimmte Ukraine.

CoachingZone
Halbdaggl
Wen ein Handlungsballett mit einem modernen historischen Sujet interessiert und wer einen phantastischen emotionalen Parforceritt des hier schon mehrmals erwähnten Friedemann Vogel erleben möchte, dem sei dieser Stream besonders ans Herz gelegt:

Pünktlich zum Osterwochenende hält StuttgartBallet@Home ein besonderes Highlight bereit: für rund 24 Stunden wird ab Samstag, 11. April, um 18:00 Uhr bis Ostersonntag um 18:00 Uhr die gefeierte Stuttgarter Neuproduktion von Kenneth MacMillans Mayerling als Video-on-Demand verfügbar sein! Rund ein Jahr nach der umjubelten Premiere kehrt das fesselnde Historiendrama mit Friedemann Vogel als Kronprinz Rudolf auf die digitale Bühne zurück. Ballettintendant Tamas Detrich bedankt sich bei allen Beteiligten, allen voran Deborah, Lady MacMillan, Ausstatter Jürgen Rose, die TänzerInnen des Stuttgarter Balletts sowie das Staatsorchester Stuttgart für die Ermöglichung.


Bild

https://www.stuttgarter-ballett.de/home/news-lang/
Wenn die Unfähigkeit einen Decknamen braucht, nennt sie sich Pech.

- Charles Maurice de Talleyrand -

CoachingZone
Halbdaggl
Ach ja - und auch Balletttänzer müssen sich fit- und ihren Körper in Form halten, was in Zeiten von "Zuhausebleiben" bisweilen sehr kreative Lösungen in den eigenen vier Wänden erforderlich macht - bis hin zu einer etwas ungewöhnlichen "Romeo und Julia"-Inszenierung. :)

Wenn die Unfähigkeit einen Decknamen braucht, nennt sie sich Pech.

- Charles Maurice de Talleyrand -

Unter Westfalen
Benutzeravatar
Grasdaggl
Das ist auch gut.


#OpertrotzCorona zu Ostern
Damit Sie auch zu Ostern nicht auf Oper verzichten müssen: Ab Freitag, 10. April sehen Sie bei #OpertrotzCorona den Dokumentarfilm „Das Glück erfüllter Gegenwart - 425 Jahre Staatsorchester Stuttgart“, eine spannende und abwechslungsreiche Reise durch die Zeit seit 1593 mit den Musiker*innen des Staatsorchesters Stuttgart. Die Junge Oper im Nord (JOiN) hat unter dem Hashtag #joinusathome speziell im Hinblick auf die Osterferien ein digitales Programm für Groß und Klein zusammengestellt: Von Aufführungen in voller Länge über Online-Coachings bis hin zu digitalen Vermittlungsangeboten. Über den speziellen Opern-Newsletter halten wir Sie über unser Programm auf dem Laufenden und senden regelmäßig musikalische Grüße aus dem Opernhaus zu Ihnen nach Hause.

Mein Osterprogramm ist zusammengestellt.
Für eine freie und selbstbestimmte Ukraine.


Bundes-Jogi
Benutzeravatar
Grasdaggl
Dä Waber von Hauptmann. Regie: Armin Petras (2013-2018 Schauspiel-Intendant Stuttgart)

„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).

CoachingZone
Halbdaggl
Seit heute abend 18:00 Uhr bis Sonntag, den 19. April, 23:00 Uhr ist John Crankos "Romeo und Julia" als Video on demand zu sehen. Es tanzen Elisa Badenes als Julia und David Moore als Romeo. In der Rolle als Julias Amme ist die erste Stuttgarter Julia (von 1962) Marcia Haydee zu bewundern. Die Aufzeichnung von 2018 lief bereits bei arte, beim SWR und zuletzt vergangenes Wochenende beim WDR.

https://www.stuttgarter-ballett.de/spie ... letathome/
Wenn die Unfähigkeit einen Decknamen braucht, nennt sie sich Pech.

- Charles Maurice de Talleyrand -

Unter Westfalen
Benutzeravatar
Grasdaggl
Habe gerade Romeo & Julia zu Ende gesehen.
Wunderbare Aufführung.
Vielleicht schreibe ich morgen noch etwas dazu.

Vorweg noch eine Frage.
Wie läuft das überhaupt technisch mit einem Stream?
Es ist ja keine Live Übertragung, die simultan angeschaut wird.
Liegen da zigtausende Dateien auf den Servern, die man abrufen kann?
Und wenn keine Datei mehr frei ist, läuft nichts?

Gestern bin ich dreimal rausgeworfen worden, danach habe ich es aufgegeben.
Heute war alles ok.
Weniger Abrufe, vielleicht wegen Tatort?
Für eine freie und selbstbestimmte Ukraine.

Unter Westfalen
Benutzeravatar
Grasdaggl
Aus dem neuesten Newsletter der Staatstheater:

Übrigens: In der Zwischenzeit wünschen wir Ihnen viel Vergnügen mit unserem Online-Programm: Unter dem Motto #OpertrotzCorona stellt Ihnen die Staatsoper Stuttgart wöchentlich neue Opern-Übertragungen zur Verfügung, so dass Sie auch während dieser schwierigen Zeit nicht komplett auf Oper verzichten müssen. Das Stuttgarter Ballett tanzt für Sie trotz Corona weiter – und zeigt im Rahmen der Reihe #StuttgartBallet@Home abwechselnde Videos-on-Demand auf seinem YouTube-Kanal und seiner Website. "Virtuell statt live" zeigt das Schauspiel Stuttgart Mitschnitte, Lesungen und Botschaften aus dem Ensemble. Wir halten Sie über neue Angebote selbstverständlich regelmäßig auf dem Laufenden!
Für eine freie und selbstbestimmte Ukraine.

Unter Westfalen
Benutzeravatar
Grasdaggl
Aktueller Newsletter der Staatstheater:

Lesend durch den Lockdown

Satyagraha bei #OpertrotzCorona

Ein Klassiker der Minimal Music kehrt zurück: Mit Satyagraha zeigen wir Ihnen ab 24. April im Rahmen von #OpertrotzCorona die hymnisch gefeierte Aufführung von Philip Glass‘ Oper aus den 1980er-Jahren – die legendäre Produktion der deutschen Erstaufführung, an die sich noch viele Zuschauer*innen schwärmerisch erinnern! Bis Freitag, 17 Uhr, haben Sie noch die Möglichkeit, Arrigo Boitos Mefistofele in der spektakulären Inszenierung von La fura dels baus als Video-on-Demand zu streamen

Ins Wochenende mit Johan Ingers Out of Breath

Johan Ingers mitreißendes Ballett Out of Breath wird ab dem 23. April um 18 Uhr bis zum 26. April um 22 Uhr auf dem YouTube-Kanal und der Website des Stuttgarter Balletts als Video-on-Demand abrufbar sein! Sein Ballett thematisiert den schmalen Grat zwischen Leben und Tod und ist ein intensives Kammerspiel, in dem eine Gruppe von Individuen buchstäblich gegen, auf und über eine Wand hinwegtanzt.
PS: Ihnen gefallen unsere Videos-on-Demand? Teilen Sie Ihre Eindrücke mit uns auf Facebook, Instagram oder Twitter! #StuttgartBalletatHome


Unser Ensemble ist weiterhin für Sie da! Katharina Hauter liest auf unserer virtuellen Ersatzbühne in neun Teilen aus Antoine de Saint-Exupérys Allzeitklassiker Der kleine Prinz – Die ersten drei Folgen sind bereits online, weitere folgen. Lassen Sie sich und Ihre nächsten von der poetischen Strahlkraft dieses Glanzstücks der Weltliteratur verzaubern.

Matthias Lejas Dekameron-Lesereihe neigt sich dem Ende. Noch haben Sie die Gelegenheit, 24 der 100 Novellen Boccaccios vorgelesen zu bekommen, die der florentiner Dichter unter dem Eindruck der Pestepidemie 1348 verfasste. Kommen Sie gut durch diese virengeschwängerte Zeit und bleiben Sie uns weiterhin gewogen!


Der kleine Prinz.
Wäre das nichts für Eure Kids?
Für eine freie und selbstbestimmte Ukraine.


Bundes-Jogi
Benutzeravatar
Grasdaggl
Whan that Aprill, with his shoures soote
The droghte of March hath perced to the roote
And bathed every veyne in swich licour,
Of which vertu engendred is the flour;
5 Whan Zephirus eek with his sweete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his halfe cours yronne,
And smale foweles maken melodye,
10 That slepen al the nyght with open eye-
(So priketh hem Nature in hir corages);
Thanne longen folk to goon on pilgrimages
And palmeres for to seken straunge strondes
To ferne halwes, kowthe in sondry londes;
15 And specially from every shires ende
Of Engelond, to Caunterbury they wende,
The hooly blisful martir for to seke
That hem hath holpen, whan that they were seeke.
Bifil that in that seson, on a day,
20 In Southwerk at the Tabard as I lay
Redy to wenden on my pilgrymage
To Caunterbury with ful devout corage,
At nyght was come into that hostelrye
Wel nyne and twenty in a compaignye
25 Of sondry folk, by aventure yfalle
In felaweshipe, and pilgrimes were they alle,
That toward Caunterbury wolden ryde.
The chambres and the stables weren wyde,
And wel we weren esed atte beste;
30 And shortly, whan the sonne was to reste,
So hadde I spoken with hem everichon
That I was of hir felaweshipe anon,
And made forward erly for to ryse
To take our wey, ther as I yow devyse.
35 But nathelees, whil I have tyme and space,
Er that I ferther in this tale pace,
Me thynketh it acordaunt to resoun
To telle yow al the condicioun
Of ech of hem, so as it semed me,
40 And whiche they weren, and of what degree,
And eek in what array that they were inne;
And at a knyght than wol I first bigynne.
A KNYGHT ther was, and that a worthy man,
That fro the tyme that he first bigan
45 To riden out, he loved chivalrie,
Trouthe and honour, fredom and curteisie.
Ful worthy was he in his lordes werre,
And therto hadde he riden, no man ferre,
As wel in cristendom as in hethenesse,
50 And evere honoured for his worthynesse.
At Alisaundre he was, whan it was wonne.
Ful ofte tyme he hadde the bord bigonne
Aboven alle nacions in Pruce;
In Lettow hadde he reysed, and in Ruce,
55 No Cristen man so ofte of his degree.
In Gernade at the seege eek hadde he be
Of Algezir, and riden in Belmarye.
At Lyeys was he and at Satalye,
Whan they were wonne; and in the Grete See
60 At many a noble armee hadde he be.
At mortal batailles hadde he been fiftene,
And foughten for oure feith at Tramyssene
In lystes thries, and ay slayn his foo.
This ilke worthy knyght hadde been also
65 Somtyme with the lord of Palatye
Agayn another hethen in Turkye.
And everemoore he hadde a sovereyn prys;
And though that he were worthy, he was wys,
And of his port as meeke as is a mayde.
70 He nevere yet no vileynye ne sayde
In al his lyf unto no maner wight.
He was a verray, parfit gentil knyght.
But, for to tellen yow of his array,
His hors were goode, but he was nat gay.
75 Of fustian he wered a gypon
Al bismotered with his habergeoun,
For he was late ycome from his viage,
And wente for to doon his pilgrymage.
With hym ther was his sone, a yong SQUIER,
80 A lovyere and a lusty bacheler;
With lokkes crulle, as they were leyd in presse.
Of twenty yeer of age he was, I gesse.
Of his stature he was of evene lengthe,
And wonderly delyvere, and of greet strengthe.
85 And he hadde been somtyme in chyvachie
In Flaundres, in Artoys, and Pycardie,
And born hym weel, as of so litel space,
In hope to stonden in his lady grace.
Embrouded was he, as it were a meede,
90 Al ful of fresshe floures, whyte and reede;
Syngynge he was, or floytynge, al the day,
He was as fressh as is the monthe of May.
Short was his gowne, with sleves longe and wyde.
Wel koude he sitte on hors, and faire ryde.
95 He koude songes make, and wel endite,
Juste, and eek daunce, and weel purtreye and write.
So hoote he lovede, that by nyghtertale
He slepte namoore than dooth a nyghtyngale.
Curteis he was, lowely, and servysable,
100 And carf biforn his fader at the table.
A YEMAN hadde he and servantz namo
At that tyme, for hym liste ride soo;
And he was clad in cote and hood of grene.
A sheef of pecok arwes, bright and kene
105 Under his belt he bar ful thriftily,
(Wel koude he dresse his takel yemanly:
Hise arwes drouped noght with fetheres lowe)
And in his hand he baar a myghty bowe.
A not heed hadde he, with a broun visage,
110 Of woodecraft wel koude he al the usage.
Upon his arm he baar a gay bracer,
And by his syde a swerd and a bokeler,
And on that oother syde a gay daggere
Harneised wel and sharpe as point of spere.
115 A Cristopher on his brest of silver sheene.
An horn he bar, the bawdryk was of grene;
A forster was he, soothly, as I gesse.
Ther was also a Nonne, a PRIORESSE,
That of hir smylyng was ful symple and coy;
120 Hir gretteste ooth was but by Seinte Loy;
And she was cleped Madame Eglentyne.
Ful weel she soong the service dyvyne,
Entuned in hir nose ful semely,
And Frenssh she spak ful faire and fetisly,
125 After the scole of Stratford-atte-Bowe,
For Frenssh of Parys was to hir unknowe.
At mete wel ytaught was she with alle:
She leet no morsel from hir lippes falle,
Ne wette hir fyngres in hir sauce depe;
130 Wel koude she carie a morsel, and wel kepe
That no drope ne fille upon hir brist.
In curteisie was set ful muche hir list.
Hire over-lippe wyped she so clene
That in hir coppe ther was no ferthyng sene
135 Of grece, whan she dronken hadde hir draughte.
Ful semely after hir mete she raughte.
And sikerly, she was of greet desport,
And ful plesaunt, and amyable of port,
And peyned hir to countrefete cheere
140 Of court, and been estatlich of manere,
And to ben holden digne of reverence.
But, for to speken of hir conscience,
She was so charitable and so pitous
She wolde wepe, if that she saugh a mous
145 Kaught in a trappe, if it were deed or bledde.
Of smale houndes hadde she, that she fedde
With rosted flessh, or milk and wastel-breed.
But soore weep she if oon of hem were deed,
Or if men smoot it with a yerde smerte;
150 And al was conscience, and tendre herte.
Ful semyly hir wympul pynched was,
Hire nose tretys, hir eyen greye as glas,
Hir mouth ful smal, and therto softe and reed;
But sikerly she hadde a fair forheed;
155 It was almoost a spanne brood, I trowe;
For, hardily, she was nat undergrowe.
Ful fetys was hir cloke, as I was war;
Of smal coral aboute hir arm she bar
A peire of bedes, gauded al with grene,
160 An theron heng a brooch of gold ful sheene,
On which ther was first write a crowned A,
And after Amor vincit omnia.
Another NONNE with hir hadde she,
That was hire chapeleyne, and preestes thre.
165 A MONK ther was, a fair for the maistrie,
An outridere, that lovede venerie,
A manly man, to been an abbot able.
Ful many a deyntee hors hadde he in stable,
And whan he rood, men myghte his brydel heere
170 Gynglen in a whistlynge wynd als cleere
And eek as loude, as dooth the chapel belle.
Ther as this lord was keper of the celle,
The reule of Seint Maure, or of Seint Beneit,
By cause that it was old and somdel streit
175 This ilke Monk leet olde thynges pace,
And heeld after the newe world the space.
He yaf nat of that text a pulled hen,
That seith that hunters beth nat hooly men,
Ne that a monk, whan he is recchelees,
180 Is likned til a fissh that is waterlees,-
This is to seyn, a monk out of his cloystre
But thilke text heeld he nat worth an oystre;
And I seyde his opinioun was good.
What sholde he studie, and make hymselven wood,
185 Upon a book in cloystre alwey to poure,
Or swynken with his handes and laboure,
As Austyn bit? How shal the world be served?
Lat Austyn have his swynk to him reserved!
Therfore he was a prikasour aright:
190 Grehoundes he hadde, as swift as fowel in flight;
Of prikyng and of huntyng for the hare
Was al his lust, for no cost wolde he spare.
I seigh his sleves purfiled at the hond
With grys, and that the fyneste of a lond;
195 And, for to festne his hood under his chyn,
He hadde of gold ywroght a curious pyn;
A love-knotte in the gretter ende ther was.
His heed was balled, that shoon as any glas,
And eek his face, as it hadde been enoynt.
200 He was a lord ful fat and in good poynt,
Hise eyen stepe, and rollynge in his heed,
That stemed as a forneys of a leed;
His bootes souple, his hors in greet estaat.
Now certeinly he was a fair prelaat;
205 He was nat pale as a forpyned goost.
A fat swan loved he best of any roost.
His palfrey was as broun as is a berye,
A FRERE ther was, a wantowne and a merye,
A lymytour, a ful solempne man.
210 In alle the ordres foure is noon that kan
So muchel of daliaunce and fair langage.
He hadde maad ful many a mariage
Of yonge wommen at his owene cost.
Unto his ordre he was a noble post,
215 And wel biloved and famulier was he
With frankeleyns overal in his contree,
And eek with worthy wommen of the toun;
For he hadde power of confessioun,
As seyde hymself, moore than a curat,
220 For of his ordre he was licenciat.
Ful swetely herde he confessioun,
And plesaunt was his absolucioun:
He was an esy man to yeve penaunce,
Ther as he wiste to have a good pitaunce.
225 For unto a povre ordre for to yive
Is signe that a man is wel yshryve;
For, if he yaf, he dorste make avaunt,
He wiste that a man was repentaunt;
For many a man so harde is of his herte,
230 He may nat wepe, al thogh hym soore smerte;
Therfore in stede of wepynge and preyeres
Men moote yeve silver to the povre freres.
His typet was ay farsed ful of knyves
And pynnes, for to yeven yonge wyves.
235 And certeinly he hadde a murye note:
Wel koude he synge, and pleyen on a rote;
Of yeddynges he baar outrely the pris.
His nekke whit was as the flour-de-lys;
Therto he strong was as a champioun.
240 He knew the tavernes wel in every toun
And everich hostiler and tappestere
Bet than a lazar or a beggestere;
For unto swich a worthy man as he
Acorded nat, as by his facultee,
245 To have with sike lazars aqueyntaunce.
It is nat honeste, it may nat avaunce,
For to deelen with no swich poraille,
But al with riche and selleres of vitaille.
And over al, ther as profit sholde arise,
250 Curteis he was, and lowely of servyse.
Ther nas no man nowher so vertuous.
He was the beste beggere in his hous;
(And yaf a certeyn ferme for the graunt
Noon of his brethren cam ther in his haunt;)
255 For thogh a wydwe hadde noght a sho,
So plesaunt was his "In principio"
Yet wolde he have a ferthyng, er he wente;
His purchas was wel bettre than his rente.
And rage he koude, as it were right a whelp.
260 In love-dayes ther koude he muchel help,
For there he was nat lyk a cloysterer
With a thredbare cope, as is a povre scoler,
But he was lyk a maister or a pope;
Of double worstede was his semycope,
265 That rounded as a belle out of the presse.
Somwhat he lipsed for his wantownesse
To make his Englissh sweete upon his tonge;
And in his harpyng, whan that he hadde songe,
Hise eyen twynkled in his heed aryght
270 As doon the sterres in the frosty nyght.
This worthy lymytour was cleped Huberd.
A MARCHANT was ther with a forked berd,
In mottelee, and hye on horse he sat;
Upon his heed a Flaundryssh bever hat,
275 His bootes clasped faire and fetisly.
His resons he spak ful solempnely,
Sownynge alway th'encrees of his wynnyng.
He wolde the see were kept for any thyng
Bitwixe Middelburgh and Orewelle.
280 Wel koude he in eschaunge sheeldes selle.
This worthy man ful wel his wit bisette;
Ther wiste no wight that he was in dette,
So estatly was he of his governaunce
With his bargaynes and with his chevyssaunce.
285 For sothe, he was a worthy man with-alle,
But, sooth to seyn, I noot how men hym calle.
A CLERK ther was of Oxenford also,
That unto logyk hadde longe ygo.
As leene was his hors as is a rake,
290 And he nas nat right fat, I undertake,
But looked holwe and therto sobrely.
Ful thredbare was his overeste courtepy;
For he hadde geten hym yet no benefice,
Ne was so worldly for to have office.
295 For hym was levere have at his beddes heed
Twenty bookes, clad in blak or reed,
Of Aristotle and his philosophie,
Than robes riche, or fithele, or gay sautrie.
But al be that he was a philosophre,
300 Yet hadde he but litel gold in cofre;
But al that he myghte of his freendes hente,
On bookes and on lernynge he it spente,
And bisily gan for the soules preye
Of hem that yaf hym wherwith to scoleye.
305 Of studie took he moost cure and moost heede.
Noght o word spak he moore than was neede,
And that was seyd in forme and reverence,
And short and quyk, and ful of hy sentence;
Sownynge in moral vertu was his speche,
310 And gladly wolde he lerne, and gladly teche.
A SERGEANT OF THE LAWE, war and wys,
That often hadde been at the Parvys,
Ther was also, ful riche of excellence.
Discreet he was, and of greet reverence-
315 He semed swich, hise wordes weren so wise.
Justice he was ful often in assise,
By patente, and by pleyn commissioun.
For his science, and for his heigh renoun,
Of fees and robes hadde he many oon.
320 So greet a purchasour was nowher noon:
Al was fee symple to hym in effect,
His purchasyng myghte nat been infect.
Nowher so bisy a man as he ther nas,
And yet he semed bisier than he was.
325 In termes hadde he caas and doomes alle
That from the tyme of Kyng William were falle.
Therto he koude endite and make a thyng,
Ther koude no wight pynche at his writyng;
And every statut koude he pleyn by rote.
330 He rood but hoomly in a medlee cote
Girt with a ceint of silk, with barres smale;
Of his array telle I no lenger tale.
A FRANKELEYN was in his compaignye.
Whit was his berd as is a dayesye;
335 Of his complexioun he was sangwyn.
Wel loved he by the morwe a sope in wyn,;
To lyven in delit was evere his wone,
For he was Epicurus owene sone,
That heeld opinioun that pleyn delit
340 Was verray felicitee parfit.
An housholdere, and that a greet, was he;
Seint Julian was he in his contree.
His breed, his ale, was alweys after oon,
A bettre envyned man was nowher noon.
345 Withoute bake mete was nevere his hous
Of fissh and flessh, and that so plentevous,
It snewed in his hous of mete and drynke,
Of alle deyntees that men koude thynke.
After the sondry sesons of the yeer,
350 So chaunged he his mete and his soper.
Ful many a fat partrich hadde he in muwe,
And many a breem and many a luce in stuwe.
Wo was his cook, but if his sauce were
Poynaunt and sharp, and redy al his geere.
355 His table dormant in his halle alway
Stood redy covered al the longe day.
At sessiouns ther was he lord and sire;
Ful ofte tyme he was knyght of the shire.
An anlaas and a gipser al of silk
360 Heeng at his girdel, whit as morne milk.
A shirreve hadde he been, and a countour.
Was nowher swich a worthy vavasour.
An HABERDASSHERE and a CARPENTER,
A WEBBE, a DYERE, and a TAPYCER,-
365 And they were clothed alle in o lyveree
Of a solempne and a greet fraternitee.
Ful fressh and newe hir geere apiked was;
Hir knyves were chaped noght with bras,
But al with silver; wroght ful clene and weel,
370 Hire girdles and hir pouches everydeel.
Wel semed ech of hem a fair burgeys
To sitten in a yeldehalle on a deys.
Everich, for the wisdom that he kan,
Was shaply for to been an alderman.
375 For catel hadde they ynogh and rente,
And eek hir wyves wolde it wel assente;
And elles certeyn, were they to blame.
It is ful fair to been ycleped "madame,"
And goon to vigilies al bifore,
380 And have a mantel roialliche ybore.
A COOK they hadde with hem for the nones
To boille the chiknes with the marybones,
And poudre-marchant tart, and galyngale.
Wel koude he knowe a draughte of London ale.
385 He koude rooste, and sethe, and broille, and frye,
Maken mortreux, and wel bake a pye.
But greet harm was it, as it thoughte me,
That on his shyne a mormal hadde he.
For blankmanger, that made he with the beste.
390 A SHIPMAN was ther, wonynge fer by weste;
For aught I woot, he was of Dertemouthe.
He rood upon a rouncy, as he kouthe,
In a gowne of faldyng to the knee.
A daggere hangynge on a laas hadde he
395 Aboute his nekke, under his arm adoun.
The hoote somer hadde maad his hewe al broun,
And certeinly he was a good felawe.
Ful many a draughte of wyn had he ydrawe
Fro Burdeux-ward, whil that the chapman sleep.
400 Of nyce conscience took he no keep.
If that he faught, and hadde the hyer hond,
By water he sente hem hoom to every lond.
But of his craft, to rekene wel his tydes,
His stremes, and his daungers hym bisides,
405 His herberwe and his moone, his lodemenage,
Ther nas noon swich from Hulle to Cartage.
Hardy he was, and wys to undertake;
With many a tempest hadde his berd been shake.
He knew alle the havenes as they were,
410 From Gootlond to the Cape of Fynystere,
And every cryke in Britaigne and in Spayne.
His barge ycleped was the Maudelayne.
With us ther was a DOCTOUR OF PHISIK;
In al this world ne was ther noon hym lik,
415 To speke of phisik and of surgerye,
For he was grounded in astronomye.
He kepte his pacient a ful greet deel
In houres, by his magyk natureel.
Wel koude he fortunen the ascendent
420 Of his ymages for his pacient.
He knew the cause of everich maladye,
Were it of hoot, or coold, or moyste, or drye,
And where they engendred, and of what humour.
He was a verray parfit praktisour:
425 The cause yknowe, and of his harm the roote,
Anon he yaf the sike man his boote.
Ful redy hadde he hise apothecaries
To sende him drogges and his letuaries,
For ech of hem made oother for to wynne-
430 Hir frendshipe nas nat newe to bigynne.
Wel knew he the olde Esculapius,
And Deyscorides and eek Rufus,
Olde Ypocras, Haly, and Galyen,
Serapioun, Razis, and Avycen,
435 Averrois, Damascien, and Constantyn,
Bernard, and Gatesden, and Gilbertyn.
Of his diete mesurable was he,
For it was of no superfluitee,
But of greet norissyng, and digestible.
440 His studie was but litel on the Bible.
In sangwyn and in pers he clad was al,
Lyned with taffata and with sendal;
And yet he was but esy of dispence;
He kepte that he wan in pestilence.
445 For gold in phisik is a cordial,
Therfore he lovede gold in special.
A good WIF was ther, OF biside BATHE,
But she was somdel deef, and that was scathe.
Of clooth-makyng she hadde swich an haunt,
450 She passed hem of Ypres and of Gaunt.
In al the parisshe wif ne was ther noon
That to the offrynge bifore hire sholde goon;
And if ther dide, certeyn so wrooth was she,
That she was out of alle charitee.
455 Hir coverchiefs ful fyne weren of ground;
I dorste swere they weyeden ten pound
That on a Sonday weren upon hir heed.
Hir hosen weren of fyn scarlet reed,
Ful streite yteyd, and shoes ful moyste and newe.
460 Boold was hir face, and fair, and reed of hewe.
She was a worthy womman al hir lyve:
Housbondes at chirche dore she hadde fyve,
Withouthen oother compaignye in youthe, -
But therof nedeth nat to speke as nowthe.
465 And thries hadde she been at Jerusalem;
She hadde passed many a straunge strem;
At Rome she hadde been, and at Boloigne,
In Galice at Seint-Jame, and at Coloigne.
She koude muchel of wandrynge by the weye.
470 Gat-tothed was she, soothly for to seye.
Upon an amblere esily she sat,
Ywympled wel, and on hir heed an hat
As brood as is a bokeler or a targe;
A foot-mantel aboute hir hipes large,
475 And on hir feet a paire of spores sharpe.
In felaweshipe wel koude she laughe and carpe.
Of remedies of love she knew per chaunce,
For she koude of that art the olde daunce.
A good man was ther of religioun,
480 And was a povre PERSOUN OF A TOUN,
But riche he was of hooly thoght and werk.
He was also a lerned man, a clerk,
That Cristes gospel trewely wolde preche;
His parisshens devoutly wolde he teche.
485 Benynge he was, and wonder diligent,
And in adversitee ful pacient,
And swich he was ypreved ofte sithes.
Ful looth were hym to cursen for his tithes,
But rather wolde he yeven, out of doute,
490 Unto his povre parisshens aboute
Of his offryng and eek of his substaunce.
He koude in litel thyng have suffisaunce.
Wyd was his parisshe, and houses fer asonder,
But he ne lefte nat, for reyn ne thonder,
495 In siknesse nor in meschief to visite
The ferreste in his parisshe, muche and lite,
Upon his feet, and in his hand a staf.
This noble ensample to his sheep he yaf,
That first he wroghte, and afterward he taughte.
500 Out of the gosple he tho wordes caughte,
And this figure he added eek therto,
That if gold ruste, what shal iren do?
For if a preest be foul, on whom we truste,
No wonder is a lewed man to ruste;
505 And shame it is, if a prest take keep,
A shiten shepherde and a clene sheep.
Wel oghte a preest ensample for to yive,
By his clennesse, how that his sheep sholde lyve.
He sette nat his benefice to hyre
510 And leet his sheep encombred in the myre
And ran to Londoun unto Seinte Poules
To seken hym a chaunterie for soules,
Or with a bretherhed to been witholde;
But dwelt at hoom, and kepte wel his folde,
515 So that the wolf ne made it nat myscarie;
He was a shepherde and noght a mercenarie.
And though he hooly were and vertuous,
He was to synful men nat despitous,
Ne of his speche daungerous ne digne,
520 But in his techyng discreet and benygne;
To drawen folk to hevene by fairnesse,
By good ensample, this was his bisynesse.
But it were any persone obstinat,
What so he were, of heigh or lough estat,
525 Hym wolde he snybben sharply for the nonys.
A bettre preest I trowe, that nowher noon ys.
He waited after no pompe and reverence,
Ne maked him a spiced conscience,
But Cristes loore, and Hise apostles twelve
530 He taughte, but first he folwed it hymselve.
With hym ther was a PLOWMAN, was his brother,
That hadde ylad of dong ful many a fother;
A trewe swynkere and a good was he,
Lyvynge in pees and parfit charitee.
535 God loved he best with al his hoole herte
At alle tymes, thogh him gamed or smerte,
And thanne his neighebor right as hym-selve.
He wolde thresshe, and therto dyke and delve,
For Cristes sake, for every povre wight
540 Withouten hire, if it lay in his myght.
Hise tithes payed he ful faire and wel,
Bothe of his propre swynk and his catel.
In a tabard he rood, upon a mere.
Ther was also a REVE and a MILLERE,
545 A SOMNOUR and a PARDONER also,
A MAUNCIPLE, and myself - ther were namo.
The MILLERE was a stout carl for the nones;
Ful byg he was of brawn and eek of bones-
That proved wel, for over al ther he cam
550 At wrastlynge he wolde have alwey the ram.
He was short-sholdred, brood, a thikke knarre,
Ther was no dore that he nolde heve of harre,
Or breke it at a rennyng with his heed.
His berd as any sowe or fox was reed,
555 And therto brood, as though it were a spade.
Upon the cop right of his nose he hade
A werte, and thereon stood a toft of herys,
Reed as the brustles of a sowes erys;
Hise nosethirles blake were and wyde.
560 A swerd and bokeler bar he by his syde.
His mouth as greet was as a greet forneys.
He was a janglere and a goliardeys,
And that was moost of synne and harlotries.
Wel koude he stelen corn, and tollen thries;
565 And yet he hadde a thombe of gold, pardee.
A whit cote and a blew hood wered he.
A baggepipe wel koude he blowe and sowne,
And therwithal he broghte us out of towne.
A gentil MAUNCIPLE was ther of a temple,
570 Of which achatours myghte take exemple
For to be wise in byynge of vitaille;
For wheither that he payde or took by taille,
Algate he wayted so in his achaat
That he was ay biforn, and in good staat.
575 Now is nat that of God a ful fair grace,
That swich a lewed mannes wit shal pace
The wisdom of an heep of lerned men?
Of maistres hadde he mo than thries ten,
That weren of lawe expert and curious,
580 Of whiche ther weren a duszeyne in that hous
Worthy to been stywardes of rente and lond
Of any lord that is in Engelond,
To maken hym lyve by his propre good,
In honour dettelees (but if he were wood),
585 Or lyve as scarsly as hym list desire,
And able for to helpen al a shire
In any caas that myghte falle or happe-
And yet this Manciple sette hir aller cappe.
The REVE was a sclendre colerik man.
590 His berd was shave as ny as ever he kan;
His heer was by his erys ful round yshorn;
His top was dokked lyk a preest biforn.
Ful longe were his legges, and ful lene,
Ylyk a staf, ther was no calf ysene.
595 Wel koude he kepe a gerner and a bynne;
Ther was noon auditour koude on him wynne.
Wel wiste he by the droghte and by the reyn,
The yeldynge of his seed and of his greyn.
His lordes sheep, his neet, his dayerye,
600 His swyn, his hors, his stoor, and his pultrye,
Was hoolly in this Reves governynge,
And by his covenant yaf the rekenynge,
Syn that his lord was twenty yeer of age,
Ther koude no man brynge hym in arrerage.
605 Ther nas baillif, ne hierde, nor oother hyne,
That he ne knew his sleighte and his covyne;
They were adrad of hym as of the deeth.
His wonyng was ful faire upon an heeth;
With grene trees shadwed was his place.
610 He koude bettre than his lord purchace.
Ful riche he was astored pryvely:
His lord wel koude he plesen subtilly,
To yeve and lene hym of his owene good,
And have a thank, and yet a cote and hood.
615 In youthe he hadde lerned a good myster;
He was a wel good wrighte, a carpenter.
This Reve sat upon a ful good stot,
That was al pomely grey, and highte Scot.
A long surcote of pers upon he hade,
620 And by his syde he baar a rusty blade.
Of Northfolk was this Reve, of which I telle,
Bisyde a toun men clepen Baldeswelle.
Tukked he was as is a frere aboute,
And evere he rood the hyndreste of oure route.
625 A SOMONOUR was ther with us in that place,
That hadde a fyr-reed cherubynnes face,
For saucefleem he was, with eyen narwe.
As hoot he was and lecherous as a sparwe,
With scalled browes blake, and piled berd,
630 Of his visage children were aferd.
Ther nas quyk-silver, lytarge, ne brymstoon,
Boras, ceruce, ne oille of tartre noon,
Ne oynement, that wolde clense and byte,
That hym myghte helpen of his whelkes white,
635 Nor of the knobbes sittynge on his chekes.
Wel loved he garleek, oynons, and eek lekes,
And for to drynken strong wyn, reed as blood;
Thanne wolde he speke and crie as he were wood.
And whan that he wel dronken hadde the wyn,
640 Than wolde he speke no word but Latyn.
A fewe termes hadde he, two or thre,
That he had lerned out of som decree-
No wonder is, he herde it al the day,
And eek ye knowen wel how that a jay
645 Kan clepen "Watte" as wel as kan the pope.
But whoso koude in oother thyng hym grope,
Thanne hadde he spent al his philosophie;
Ay "Questio quid iuris" wolde he crie.
He was a gentil harlot and a kynde;
650 A bettre felawe sholde men noght fynde;
He wolde suffre, for a quart of wyn,
A good felawe to have his concubyn
A twelf-monthe, and excuse hym atte fulle;
Ful prively a fynch eek koude he pulle.
655 And if he foond owher a good felawe,
He wolde techen him to have noon awe,
In swich caas, of the ercedekenes curs,
But if a mannes soule were in his purs;
For in his purs he sholde ypunysshed be.
660 "Purs is the erchedekenes helle," seyde he.
But wel I woot he lyed right in dede;
Of cursyng oghte ech gilty man him drede,
For curs wol slee, right as assoillyng savith,
And also war him of a Significavit.
665 In daunger hadde he at his owene gise
The yonge girles of the diocise,
And knew hir conseil, and was al hir reed.
A gerland hadde he set upon his heed
As greet as it were for an ale-stake;
670 A bokeleer hadde he maad him of a cake.
With hym ther rood a gentil PARDONER
Of Rouncivale, his freend and his compeer,
That streight was comen fro the court of Rome.
Ful loude he soong "Com hider, love, to me!"
675 This Somonour bar to hym a stif burdoun;
Was nevere trompe of half so greet a soun.
This Pardoner hadde heer as yelow as wex,
But smothe it heeng as dooth a strike of flex;
By ounces henge his lokkes that he hadde,
680 And therwith he hise shuldres overspradde;
But thynne it lay by colpons oon and oon.
But hood, for jolitee, wered he noon,
For it was trussed up in his walet.
Hym thoughte he rood al of the newe jet;
685 Dischevelee, save his cappe, he rood al bare.
Swiche glarynge eyen hadde he as an hare.
A vernycle hadde he sowed upon his cappe.
His walet lay biforn hym in his lappe
Bretful of pardoun come from Rome al hoot.
690 A voys he hadde as smal as hath a goot,
No berd hadde he, ne nevere sholde have;
As smothe it was as it were late shave,
I trowe he were a geldyng or a mare.
But of his craft, from Berwyk into Ware,
695 Ne was ther swich another pardoner;
For in his male he hadde a pilwe-beer,
Which that he seyde was Oure Lady veyl:
He seyde he hadde a gobet of the seyl
That Seint Peter hadde, whan that he wente
700 Upon the see, til Jesu Crist hym hente.
He hadde a croys of latoun ful of stones,
And in a glas he hadde pigges bones.
But with thise relikes, whan that he fond
A povre persoun dwellyng upon lond,
705 Upon a day he gat hym moore moneye
Than that the person gat in monthes tweye;
And thus, with feyned flaterye and japes,
He made the persoun and the peple his apes.
But trewely to tellen atte laste,
710 He was in chirche a noble ecclesiaste.
Wel koude he rede a lessoun or a storie,
But alderbest he song an offertorie;
For wel he wiste, whan that song was songe,
He moste preche, and wel affile his tonge
715 To wynne silver, as he ful wel koude;
Therfore he song the murierly and loude.
Now have I toold you shortly in a clause,
Th'estaat, th'array, the nombre, and eek the cause
Why that assembled was this compaignye
720 In Southwerk, at this gentil hostelrye
That highte the Tabard, faste by the Belle.
But now is tyme to yow for to telle
How that we baren us that ilke nyght,
Whan we were in that hostelrie alyght;
725 And after wol I telle of our viage
And all the remenaunt of oure pilgrimage.
But first I pray yow, of youre curteisye,
That ye n'arette it nat my vileynye,
Thogh that I pleynly speke in this mateere,
730 To telle yow hir wordes and hir cheere,
Ne thogh I speke hir wordes proprely.
For this ye knowen also wel as I,
Whoso shal telle a tale after a man,
He moot reherce as ny as evere he kan
735 Everich a word, if it be in his charge,
Al speke he never so rudeliche or large,
Or ellis he moot telle his tale untrewe,
Or feyne thyng, or fynde wordes newe.
He may nat spare, al thogh he were his brother;
740 He moot as wel seye o word as another.
Crist spak hymself ful brode in hooly writ,
And, wel ye woot, no vileynye is it.
Eek Plato seith, whoso kan hym rede,
The wordes moote be cosyn to the dede.
745 Also I prey yow to foryeve it me,
Al have I nat set folk in hir degree
Heere in this tale, as that they sholde stonde.
My wit is short, ye may wel understonde.
Greet chiere made oure Hoost us everichon,
750 And to the soper sette he us anon.
He served us with vitaille at the beste;
Strong was the wyn, and wel to drynke us leste.
A semely man OURE HOOSTE was withalle
For to been a marchal in an halle.
755 A large man he was, with eyen stepe -
A fairer burgeys was ther noon in Chepe -
Boold of his speche, and wys, and well ytaught,
And of manhod hym lakkede right naught.
Eek therto he was right a myrie man,
760 And after soper pleyen he bigan,
And spak of myrthe amonges othere thynges,
Whan that we hadde maad our rekenynges,
And seyde thus: "Now lordynges, trewely,
Ye been to me right welcome hertely;
765 For by my trouthe, if that I shal nat lye,
I saugh nat this yeer so myrie a compaignye
Atones in this herberwe, as is now.
Fayn wolde I doon yow myrthe, wiste I how.
And of a myrthe I am right now bythoght,
770 To doon yow ese, and it shal coste noght.
Ye goon to Caunterbury - God yow speede,
The blisful martir quite yow youre meede!
And wel I woot, as ye goon by the weye,
Ye shapen yow to talen and to pleye,
775 For trewely, confort ne myrthe is noon
To ride by the weye doumb as stoon;
And therfore wol I maken yow disport,
As I seyde erst, and doon yow som confort.
And if yow liketh alle by oon assent
780 For to stonden at my juggement,
And for to werken as I shal yow seye,
To-morwe, whan ye riden by the weye,
Now, by my fader soule that is deed,
But ye be myrie, I wol yeve yow myn heed!
785 Hoold up youre hond, withouten moore speche."
Oure conseil was nat longe for to seche.
Us thoughte it was noght worth to make it wys,
And graunted hym, withouten moore avys,
And bad him seye his voirdit, as hym leste.
790 "Lordynges," quod he, "now herkneth for the beste;
But taak it nought, I prey yow, in desdeyn.
This is the poynt, to speken short and pleyn,
That ech of yow, to shorte with oure weye,
In this viage shal telle tales tweye
795 To Caunterbury-ward I mene it so,
And homward he shal tellen othere two,
Of aventures that whilom han bifalle.
And which of yow that bereth hym best of alle,
That is to seyn, that telleth in this caas
800 Tales of best sentence and moost solaas,
Shal have a soper at oure aller cost
Heere in this place, sittynge by this post,
Whan that we come agayn fro Caunterbury.
And for to make yow the moore mury,
805 I wol myselven goodly with yow ryde
Right at myn owene cost, and be youre gyde;
And who so wole my juggement withseye
Shal paye al that we spenden by the weye.
And if ye vouche sauf that it be so,
810 Tel me anon, withouten wordes mo,
And I wol erly shape me therfore."
This thyng was graunted, and oure othes swore
With ful glad herte, and preyden hym also
That he wolde vouche sauf for to do so,
815 And that he wolde been oure governour,
And of our tales juge and reportour,
And sette a soper at a certeyn pris,
And we wol reuled been at his devys
In heigh and lough; and thus by oon assent
820 We been acorded to his juggement.
And therupon the wyn was fet anon;
We dronken, and to reste wente echon,
Withouten any lenger taryynge.
Amorwe, whan that day bigan to sprynge,
825 Up roos oure Hoost, and was oure aller cok,
And gadrede us to gidre alle in a flok,
And forth we riden, a litel moore than paas
Unto the wateryng of Seint Thomas;
And there oure Hoost bigan his hors areste
830 And seyde, "Lordynges, herkneth if yow leste.
Ye woot youre foreward, and I it yow recorde.
If even-song and morwe-song accorde,
Lat se now who shal telle the firste tale.
As evere mote I drynke wyn or ale,
835 Whoso be rebel to my juggement
Shal paye for al that by the wey is spent.
Now draweth cut, er that we ferrer twynne,
He which that hath the shorteste shal bigynne.
Sire Knyght," quod he, "my mayster and my lord,
840 Now draweth cut, for that is myn accord.
Cometh neer," quod he, "my lady Prioresse,
And ye, Sir Clerk, lat be youre shamefastnesse,
Ne studieth noght; ley hond to, every man!"
Anon to drawen every wight bigan,
845 And shortly for to tellen as it was,
Were it by aventure, or sort, or cas,
The sothe is this, the cut fil to the Knyght,
Of which ful blithe and glad was every wyght.
And telle he moste his tale, as was resoun,
850 By foreward and by composicioun,-
As ye han herd, what nedeth wordes mo?
And whan this goode man saugh that it was so,
As he that wys was and obedient
To kepe his foreward by his free assent,
855 He seyde, "Syn I shal bigynne the game,
What, welcome be the cut, a Goddes name!
Now lat us ryde, and herkneth what I seye."
And with that word we ryden forth oure weye,
And he bigan with right a myrie cheere
860 His tale anon, and seyde as ye may heere.
„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).


Bundes-Jogi
Benutzeravatar
Grasdaggl
Strafraumgitarre hat geschrieben:Ich hätte das kaum schöner sagen können.






Aber deutlich kürzer. :D



Man kürzt Chaucer nicht. "The Miller's Tale wird ein Brüller.
Kenneth Branagh hat mal fürs Kino den HAMLET verfilmt. Ungeürzt, über 4 Stunden. Und hat dafür eine OSCAR-Nominierung für das "Best Apated Screenplay" bekommen. Adaption bedeutete, nichts zu kürzen.
„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).

Bundes-Jogi
Benutzeravatar
Grasdaggl
From The Canterbury Tales:
The Knight's Tale

Heere bigynneth the Knyghtes Tale

Whilom, as olde stories tellen us,
Ther was a duc that highte Theseus;
Of Atthenes he was lord and governour,
And in his tyme swich a conquerour,
5 That gretter was ther noon under the sonne.
Ful many a riche contree hadde he wonne,
What with his wysdom and his chivalrie;
He conquered al the regne of Femenye,
That whilom was ycleped Scithia,
10 And weddede the queene Ypolita,
And broghte hir hoom with hym in his contree,
With muchel glorie and greet solempnytee,
And eek hir yonge suster Emelye.
And thus with victorie and with melodye
15 Lete I this noble duc to Atthenes ryde,
And al his hoost, in armes hym bisyde.
And certes, if it nere to long to heere,
I wolde have toold yow fully the manere
How wonnen was the regne of Femenye
20 By Theseus, and by his chivalrye,
And of the grete bataille for the nones
Bitwixen Atthenes and Amazones,
And how asseged was Ypolita
The faire hardy queene of Scithia,
25 And of the feste that was at hir weddynge,
And of the tempest at hir hoom-comynge;
But al the thyng I moot as now forbere,
I have, God woot, a large feeld to ere,
And wayke been the oxen in my plough,
30 The remenant of the tale is long ynough.
I wol nat letten eek noon of this route,
Lat every felawe telle his tale aboute,
And lat se now who shal the soper wynne;-
And ther I lefte, I wol ayeyn bigynne.
35 This duc of whom I make mencioun,
Whan he was come almoost unto the toun,
In al his wele and in his mooste pride,
He was war, as he caste his eye aside,
Where that ther kneled in the hye weye
40 A compaignye of ladyes, tweye and tweye,
Ech after oother, clad in clothes blake;
But swich a cry and swich a wo they make,
That in this world nys creature lyvynge
That herde swich another waymentynge;
45 And of this cry they nolde nevere stenten,
Til they the reynes of his brydel henten.
"What folk been ye, that at myn hom-comynge
Perturben so my feste with criynge?"
Quod Theseus. "Have ye so greet envye
50 Of myn honour, that thus compleyne and crye?
Or who hath yow mysboden or offended?
And telleth me if it may been amended,
And why that ye been clothed thus in blak?"
The eldeste lady of hem alle spak-
55 Whan she hadde swowned with a deedly cheere,
That it was routhe for to seen and heere-
And seyde, "Lord, to whom Fortune hath yiven
Victorie, and as a conqueror to lyven,
Nat greveth us youre glorie and youre honour,
60 But we biseken mercy and socour.
Have mercy on oure wo and oure distresse,
Som drope of pitee thurgh thy gentillesse
Upon us wrecched wommen lat thou falle;
For certes, lord, ther is noon of us alle,
65 That she ne hath been a duchesse or a queene.
Now be we caytyves, as it is wel seene,
Thanked be Fortune, and hir false wheel,
That noon estaat assureth to be weel.
And certes, lord, to abyden youre presence,
70 Heere in the temple of the goddesse Clemence
We han ben waitynge al this fourtenyght;
Now help us, lord, sith it is in thy myght!
I wrecche, which that wepe and waille thus,
Was whilom wyf to kyng Cappaneus,
75 That starf at Thebes -cursed be that day!-
And alle we that been in this array
And maken al this lamentacioun,
We losten alle oure housbondes at that toun,
Whil that the seege theraboute lay.
80 And yet now the olde Creon, weylaway!
That lord is now of Thebes the Citee,
Fulfild of ire and of iniquitee,
He, for despit and for his tirannye,
To do the dede bodyes vileynye,
85 Of alle oure lordes, whiche that been slawe,
Hath alle the bodyes on an heep ydrawe,
And wol nat suffren hem, by noon assent,
Neither to been yburyed nor ybrent,
But maketh houndes ete hem in despit."
90 And with that word, withouten moore respit,
They fillen gruf, and criden pitously,
"Have on us wrecched wommen som mercy
And lat oure sorwe synken in thyn herte."
This gentil duc doun from his courser sterte
95 With herte pitous, whan he herde hem speke;
Hym thoughte that his herte wolde breke,
Whan he saugh hem so pitous and so maat,
That whilom weren of so greet estaat.
And in his armes he hem alle up hente,
100 And hem conforteth in ful good entente,
And swoor his ooth, as he was trewe knyght,
He wolde doon so ferforthly his myght
Upon the tiraunt Creon hem to wreke,
That all the peple of Grece sholde speke
105 How Creon was of Theseus yserved,
As he that hadde his deeth ful wel deserved.
And right anoon, withouten moore abood,
His baner he desplayeth, and forth rood
To Thebes-ward, and al his hoost biside,
110 No neer Atthenes wolde he go ne ride,
Ne take his ese fully half a day,
But onward on his wey that nyght he lay,
And sente anon Ypolita the queene,
And Emelye, hir yonge suster sheene,
115 Unto the toun of Atthenes to dwelle,
And forth he rit; ther is namoore to telle.
The rede statue of Mars, with spere and targe,
So shyneth, in his white baner large,
That alle the feeldes gliteren up and doun,
120 And by his baner gorn is his penoun
Of gold ful riche, in which ther was ybete
The Mynotaur which that he slough in Crete.
Thus rit this duc, thus rit this conquerour,
And in his hoost of chivalrie the flour,
125 Til that he cam to Thebes, and alighte
Faire in a feeld, ther as he thoughte to fighte.
But shortly for to speken of this thyng,
With Creon, which that was of Thebes kyng,
He faught, and slough hym manly as a knyght
130 In pleyn bataille, and putte the folk to flyght;
And by assaut he wan the citee after,
And rente adoun bothe wall, and sparre, and rafter.
And to the ladyes he sestored agayn
The bones of hir freendes that weren slayn,
135 To doon obsequies as was tho the gyse.
But it were al to longe for to devyse
The grete clamour and the waymentynge
That the ladyes made at the brennynge
Of the bodies, and the grete honour
140 That Theseus, the noble conquerour,
Dooth to the ladyes, whan they from hym wente;
But shortly for to telle is myn entente.
Whan that his worthy duc, this Theseus,
Hath Creon slayn, and wonne Thebes thus,
145 Stille in that feeld he took al nyght his reste,
And dide with al the contree as hym leste.
To ransake in the taas of bodyes dede,
Hem for to strepe of harneys and of wede,
The pilours diden bisynesse and cure,
150 After the bataille and disconfiture;
And so bifel, that in the taas they founde
Thurgh-girt with many a grevous blody wounde,
Two yonge knyghtes liggynge by and by,
Bothe in oon armes, wroght ful richely,
155 Of whiche two Arcita highte that oon,
And that oother knyght highte Palamon.
Nat fully quyke, ne fully dede they were,
But by here cote-armures and by hir gere,
The heraudes knewe hem best in special
160 As they that weren of the blood roial
Of Thebes, and of sustren two yborn.
Out of the taas the pilours han hem torn,
And had hem caried softe unto the tente
Of Theseus, and he ful soone hem sente
165 To Atthenes to dwellen in prisoun
Perpetuelly, he nolde no raunsoun.
And whan this worthy duc hath thus ydon,
He took his hoost, and hoom he rit anon,
With laurer crowned, as a conquerour;
170 And ther he lyveth in joye and in honour
Terme of his lyve; what nedeth wordes mo?
And in a tour, in angwissh and in wo,
Dwellen this Palamon and eek Arcite
For evermoore, ther may no gold hem quite.
175 This passeth yeer by yeer, and day by day,
Till it fil ones, in a morwe of May,
That Emelye, that fairer was to sene
Than is the lylie upon his stalke grene,
And fressher than the May with floures newe-
180 For with the rose colour stroof hir hewe,
I noot which was the fairer of hem two-
Er it were day, as was hir wone to do,
She was arisen, and al redy dight-
For May wole have no slogardie a-nyght;
185 The sesoun priketh every gentil herte,
And maketh hym out of his slepe to sterte,
And seith, "Arys and do thyn observaunce."
This maked Emelye have remembraunce
To doon honour to May, and for to ryse.
190 Yclothed was she fressh, for to devyse,
Hir yelow heer was broyded in a tresse,
Bihynde hir bak, a yerde long, I gesse,
And in the gardyn, at the sonne upriste,
She walketh up and doun, and as hir liste
195 She gadereth floures, party white and rede,
To make a subtil gerland for hir hede,
And as an aungel hevenysshly she soong.
The grete tour, that was so thikke and stroong,
Which of the castel was the chief dongeoun,
200 (Ther as the knyghtes weren in prisoun,
Of whiche I tolde yow, and tellen shal)
Was evene joynant to the gardyn wal
Ther as this Emelye hadde hir pleyynge.
Bright was the sonne, and cleer that morwenynge,
205 And Palamoun, this woful prisoner,
As was his wone, by leve of his gayler,
Was risen, and romed in a chambre on heigh,
In which he al the noble citee seigh,
And eek the gardyn, ful of braunches grene,
210 Ther as this fresshe Emelye the shene
Was in hire walk, and romed up and doun.
This sorweful prisoner, this Palamoun,
Goth in the chambre romynge to and fro,
And to hym-self compleynynge of his wo.
215 That he was born, ful ofte he seyde, "allas!"
And so bifel, by aventure or cas,
That thurgh a wyndow, thikke of many a barre
Of iren greet, and square as any sparre,
He cast his eye upon Emelya,
220 And therwithal he bleynte, and cryede "A!"
As though he stongen were unto the herte.
And with that cry Arcite anon up sterte
And seyde, "Cosyn myn, what eyleth thee,
That art so pale and deedly on to see?
225 Why cridestow? who hath thee doon offence?
For Goddess love, taak al in pacience
Oure prisoun, for it may noon oother be;
Fortune hath yeven us this adversitee.
Som wikke aspect or disposicioun
230 Of Saturne, by sum constellacioun
Hath yeven us this, al though we hadde it sworn;
So stood the hevene, whan that we were born.
We moste endure it, this the short and playn."
This Palamon answerde and seyde agayn:
235 "Cosyn, for sothe, of this opinioun
Thow hast a veyn ymaginacioun.
This prison caused me nat for to crye,
But I was hurt right now thurgh-out myn ye
Into myn herte, that wol my bane be.
240 The fairnesse of that lady, that I see
Yond in the gardyn romen to and fro,
Is cause of al my criyng and my wo.
I noot wher she be womman or goddesse,
But Venus is it, soothly as I gesse."
245 And therwithal, on knees doun he fil,
And seyde, "Venus, if it be thy wil,
Yow in this gardyn thus to transfigure
Bifore me, sorweful wrecched creature,
Out of this prisoun helpe that we may scapen!
250 And if so be my destynee be shapen
By eterne word to dyen in prisoun,
Of oure lynage have som compassioun,
That is so lowe ybroght by tirannye."
And with that word Arcite gan espye
255 Wher-as this lady romed to and fro,
And with that sighte hir beautee hurte hym so,
That, if that Palamon was wounded sore,
Arcite is hurt as moche as he, or moore.
And with a sigh he seyde pitously:
260 "The fresshe beautee sleeth me sodeynly
Of hire, that rometh in the yonder place,
And but I have hir mercy and hir grace
That I may seen hir atte leeste weye,
I nam but deed, ther is namoore to seye."
265 This Palamon, whan he tho wordes herde,
Dispitously he looked and answerde,
"Wheither seistow this in ernest or in pley?"
"Nay," quod Arcite, "in ernest by my fey,
God helpe me so, me list ful yvele pleye."
270 This Palamon gan knytte his browes tweye;
"It nere," quod he, "to thee no greet honour
For to be fals, ne for to be traitour
To me, that am thy cosyn and thy brother,
Ysworn ful depe, and ech of us til oother,
275 That nevere for to dyen in the peyne,
Til that the deeth departe shal us tweyne,
Neither of us in love to hyndre other,
Ne in noon oother cas, my leeve brother,
But that thou sholdest trewely forthren me
280 In every cas, as I shal forthren thee, -
This was thyn ooth, and myn also certeyn,
I woot right wel thou darst it nat withseyn.
Thus artow of my conseil, out of doute;
And now thou woldest falsly been aboute
285 To love my lady, whom I love and serve
And evere shal, til that myn herte sterve.
Nay, certes, false Arcite, thow shalt nat so!
I loved hire first, and tolde thee my wo
As to my conseil, and to my brother sworn,
290 To forthre me as I have toold biforn,
For which thou art ybounden as a knyght
To helpen me, if it lay in thy myght,
Or elles artow fals, I dar wel seyn."
This Arcite ful proudly spak ageyn,
295 "Thow shalt," quod he, "be rather fals than I.
But thou art fals, I telle thee outrely,
For paramour I loved hir first er thow.
What, wiltow seyn thou wistest nat yet now
Wheither she be a womman or goddesse?
300 Thyn is affeccioun of hoolynesse,
And myn is love, as to a creature;
For which I tolde thee myn aventure
As to my cosyn and my brother sworn.
I pose, that thow lovedest hir biforn;
305 Wostow nat wel the olde clerkes sawe
That `who shal yeve a lovere any lawe?'
Love is a gretter lawe, by my pan,
Than may be yeve of any erthely man.
And therfore positif lawe and swich decree
310 Is broken al day for love in ech degree.
A man moot nedes love, maugree his heed,
He may nat fleen it, thogh he sholde be deed,
Al be she mayde, or wydwe, or elles wyf.
And eek it is nat likly, al thy lyf,
315 To stonden in hir grace, namoore shal I,
For wel thou woost thyselven, verraily,
That thou and I be dampned to prisoun
Perpetuelly, us gayneth no raunsoun.
We stryven as dide the houndes for the boon,
320 They foughte al day, and yet hir part was noon.
Ther cam a kyte, whil they weren so wrothe,
And baar awey the boon bitwixe hem bothe.
And therfore at the kynges court, my brother,
Ech man for hymself, ther is noon oother.
325 Love if thee list, for I love, and ay shal;
And soothly, leeve brother, this is al.
Heere in this prisoun moote we endure,
And everich of us take his aventure."
Greet was the strif and long bitwix hem tweye,
330 If that I hadde leyser for to seye.
But to th'effect; it happed on a day,
To telle it yow as shortly as I may,
A worthy duc, that highte Perotheus,
That felawe was unto duc Theseus
335 Syn thilke day that they were children lite,
Was come to Atthenes his felawe to visite,
And for to pleye as he was wont to do-
For in this world he loved no man so,
And he loved hym als tendrely agayn.
340 So wel they lovede, as olde bookes sayn,
That whan that oon was deed, soothly to telle,
His felawe wente and soughte hym doun in helle.
But of that storie list me nat to write;
Duc Perotheus loved wel Arcite,
345 And hadde hym knowe at Thebes yeer by yere,
And finally, at requeste and preyere
Of Perotheus, withouten any raunsoun,
Duc Theseus hym leet out of prisoun
Frely to goon, wher that hym liste overal,
350 In swich a gyse as I you tellen shal.
This was the forward, pleynly for t'endite,
Bitwixen Theseus and hym Arcite,
That if so were that Arcite were yfounde
Evere in his lif, by day or nyght or stounde,
355 In any contree of this Theseus,
And he were caught, it was acorded thus,
That with a swerd he sholde lese his heed;
Ther nas noon oother remedie ne reed,
But taketh his leve and homward he him spedde;
360 Lat hym be war! His nekke lith to wedde!
How greet a sorwe suffreth now Arcite!
The deeth he feeleth thurgh his herte smyte,
He wepeth, wayleth, crieth pitously,
To sleen hymself he waiteth prively.
365 He seyde, "Allas, that day that he was born!
Now is my prisoun worse than biforn;
Now is me shape eternally to dwelle
Nat in purgatorie, but in helle.
Allas, that evere knew I Perotheus!
370 For elles hadde I dwelled with Theseus,
Yfetered in his prisoun evermo;
Thanne hadde I been in blisse, and nat in wo.
Oonly the sighte of hire whom that I serve,
Though that I nevere hir grace may deserve,
375 Wolde han suffised right ynough for me.
O deere cosyn Palamon," quod he,
"Thyn is the victorie of this aventure.
Ful blisfully in prison maistow dure.-
In prisoun? certes, nay, but in paradys!
380 Wel hath Fortune yturned thee the dys,
That hast the sighte of hir, and I th'absence;
For possible is, syn thou hast hir presence,
And art a knyght, a worthy and an able,
That by som cas, syn Fortune is chaungeable,
385 Thow maist to thy desir som tyme atteyne.
But I, that am exiled and bareyne
Of alle grace, and in so greet dispeir
That ther nys erthe, water, fir, ne eir,
Ne creature, that of hem maked is,
390 That may me helpe or doon confort in this,
Wel oughte I sterve in wanhope and distresse,
Farwel, my lif, my lust, and my gladnesse!
Allas, why pleynen folk so in commune
On purveiaunce of God or of Fortune,
395 That yeveth hem ful ofte in many a gyse
Wel bettre than they kan hemself devyse?
Som man desireth for to han richesse,
That cause is of his mordre of greet siknesse.
And som man wolde out of his prisoun fayn,
400 That in his hous is of his meynee slayn.
Infinite harmes been in this mateere,
We witen nat what thing we preyen heere.
We faren as he that dronke is as a mous;
A dronke man woot wel he hath an hous,
405 But he noot which the righte wey is thider,
And to a dronke man the wey is slider.
And certes, in this world so faren we;
We seken faste after felicitee,
But we goon wrong ful often trewely.
410 Thus may we seyen alle, and namely I,
That wende and hadde a greet opinioun
That if I myghte escapen from prisoun,
Thanne hadde I been in joye and perfit heele,
Ther now I am exiled fro my wele.
415 Syn that I may nat seen you, Emelye,
I nam but deed, ther nys no remedye."
Upon that oother syde, Palamon,
Whan that he wiste Arcite was agon,
Swich sorwe he maketh that the grete tour
420 Resouneth of his youlyng and clamour.
The pure fettres on his shynes grete
Weren of his bittre salte teeres wete.
"Allas," quod he, "Arcite, cosyn myn!
Of al oure strif, God woot, the fruyt is thyn.
425 Thow walkest now in Thebes at thy large,
And of my wo thow yevest litel charge.
Thou mayst, syn thou hast wysdom and manhede,
Assemblen alle the folk of oure kynrede,
And make a werre so sharp on this citee,
430 That by som aventure, or som tretee,
Thow mayst have hir to lady and to wyf,
For whom that I moste nedes lese my lyf.
For as by wey of possibilitee,
Sith thou art at thy large, of prisoun free,
435 And art a lord, greet is thyn avauntage
Moore than is myn, that sterve here in a cage.
For I moot wepe and wayle, whil I lyve,
With al the wo that prison may me yeve,
And eek with peyne that love me yeveth also,
440 That doubleth al my torment and my wo."
Therwith the fyr of jalousie up-sterte
Withinne his brest, and hente him by the herte
So woodly, that he lyk was to biholde
The boxtree, or the asshen dede and colde.
445 Thanne seyde he, "O cruel Goddes, that governe
This world with byndyng of youre word eterne,
And writen in the table of atthamaunt
Youre parlement and youre eterne graunt,
What is mankynde moore unto you holde
450 Than is the sheep that rouketh in the folde?
For slayn is man right as another beest,
And dwelleth eek in prison and arreest,
And hath siknesse, and greet adversitee,
And ofte tymes giltelees, pardee.
455 What governance is in this prescience
That giltelees tormenteth innocence?
And yet encresseth this al my penaunce,
That man is bounden to his observaunce,
For Goddes sake, to letten of his wille,
460 Ther as a beest may al his lust fulfille.
And whan a beest is deed, he hath no peyne,
But man after his deeth moot wepe and pleyne,
Though in this world he have care and wo.
Withouten doute it may stonden so.
465 The answere of this lete I to dyvynys,
But well I woot, that in this world greet pyne ys.
Allas, I se a serpent or a theef,
That many a trewe man hath doon mescheef,
Goon at his large, and where hym list may turne!
470 But I moot been in prisoun thurgh Saturne,
And eek thurgh Juno, jalous and eek wood,
That hath destroyed wel ny al the blood
Of Thebes with hise waste walles wyde.
And Venus sleeth me on that oother syde
475 For jalousie and fere of hym Arcite."
Now wol I stynte of Palamon a lite,
And lete hym in his prisoun stille dwelle,
And of Arcita forth I wol yow telle.
The somer passeth, and the nyghtes longe
480 Encressen double wise the peynes stronge
Bothe of the lovere and the prisoner;
I noot which hath the wofuller mester.
For shortly for to seyn, this Palamoun
Perpetuelly is dampned to prisoun
485 In cheynes and in fettres to been deed,
And Arcite is exiled upon his heed
For evere mo as out of that contree,
Ne nevere mo he shal his lady see.
Yow loveres axe I now this questioun,
490 Who hath the worse, Arcite or Palamoun?
That oon may seen his lady day by day,
But in prison he moot dwelle alway;
That oother wher hym list may ride or go,
But seen his lady shal he nevere mo.
495 Now demeth as yow liste ye that kan,
For I wol telle forth, as I bigan.

Explicit Prima Pars
(Here ends the first part)




Next:
The Knight's Tale, Second Part (ll. 497-1022)
„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).

CoachingZone
Halbdaggl
Nachdem die Staatstheater Stuttgart gestern auf Anweisung des Landes Baden-Württemberg ihre geplante Saison beenden müssen, gibt es von mir mal wieder den Hinweis auf die nächsten Streams des Stuttgarter Balletts.

Vom 7. bis zum 10. Mai zeigt das Stuttgarter Ballett im Rahmen der Serie StuttgartBallet@Home Edward Clugs minimalistisches "Patterns in ¾". Anlässlich des 100-jährigen Bauhaus-Jubiläums im vergangenen Jahr hat Clug ein Stück kreiert, das die inhaltlichen und ästhetischen Elemente des Bauhauses mit einem humorvollen Augenzwinkern aufgreift. Der Mitschnitt der Premiere wird vom 7. Mai um 18:00 Uhr bis zum 10. Mai um 22:00 Uhr als Video-on-Demand abrufbar sein.

TänzerInnen: Ami Morita, Hyo-Jung Kang, Vittoria Girelli, Roman Novitzky, Martì Fernandez Paixà, Adhonay Soares da Silva, Fabio Adorisio



Und weil ich auch informelle Kanäle kenne, schon mal die Vorausschau auf die kommende Woche - noch ohne offiziellen Begleittext:

Vom 14. Mai um 18:00 Uhr bis zum 17. Mai um 22:00 Uhr werden die "Initialen R.B.M.E." von John Cranko gestreamt, das nur scheinbar abstrakte Ballett zum 2. Klavierkonzert von Johannes Brahms, das Cranko seinen vier Stars Richard Cragun, Birgit Keil, Marcia Haydée und Egon Madsen auf den Leib geschneidert und gewidmet hat, die seinerzeit auch die Premiere getanzt haben.

TänzerInnen: Alicia Amatriain, Elisa Badenes, Hyo-Jung Kang, Friedemann Vogel, Jason Reilly, Adhonay Soares da Silva, David Moore

Die Streams können abgerufen werden:

auf der Homepage des Stuttgarter Balletts:
https://www.stuttgarter-ballett.de/home/

sowie auf dem Youtube-Kanal des Stuttgarter Balletts:
https://www.youtube.com/channel/UCk9WDF ... k1rf1tgfGg

Viel Vergnügen :!:
Wenn die Unfähigkeit einen Decknamen braucht, nennt sie sich Pech.

- Charles Maurice de Talleyrand -

Unter Westfalen
Benutzeravatar
Grasdaggl
Newsletter vom Staatstheater Stuttgart:

Liebes Publikum,

die geplante Saison 2019/20 ist beendet - wir spielen aber weiter für Sie: Online können Sie die Compagnie des Stuttgarter Balletts und das Ensemble des Schauspiels Stuttgart erleben. Das Staatsorchester Stuttgart ersetzt den Orchestergraben durch den öffentlichen Raum und einzelne Musiker*innen spielen jeweils für ein Ein-Personen-Publikum. Vielleicht für Sie?
Außerdem erinnern alle drei Sparten gemeinsam mit den VIELEN an das Kriegsende vor 75 Jahren und beteiligen sich mit Videobotschaften im Netz.

Wir wünschen Ihnen viel Vergnügen mit unserem alternativen Spielplan - Fortsetzung folgt!
Ihre Staatstheater Stuttgart
Inhalt
Glänzende Aktionstage der VIELEN
1 : 1 Concerts
Patterns in ¾
Italienische Nacht und Europeana
Die Staatstheater Stuttgart

Glänzende Aktionstage der VIELEN
DIE VIELEN sind ein Bündnis von Kulturinstitutionen, dem die Sparten der Staatstheater angehören und das sich für die Freiheit der Kunst einsetzt. Die Glänzenden Aktionstage erinnern am 8. und 9. Mai an den 75. Jahrestag der Befreiung vom Nationalsozialismus und der Beendigung des Zweiten Weltkrieges und feiern ein offenes Europa der Vielen. In einer gemeinsamen Videobotschaft lesen über 30 Künstler*innen sowie Kulturinstitutionen aus Baden-Württemberg die Erklärung der VIELEN. Zudem beteiligen sich die Sparten der Staatstheater mit Videobeiträgen an den Aktionstagen, die im Stream der VIELEN sowie auf den Sparten-Websites online zu sehen sein werden. Am 8. Mai wird ab 12 Uhr mit Glockenmusik, Trompeten, Posaunen und Gesang ein musikalisches Zeichen des Erinnerns im Stadtraum Stuttgart gesetzt.
Oper Stuttgart

Ein außergewöhnliches Konzert-Erlebnis am Stuttgarter Flughafen: 1:1 Concerts, Foto: Staatsoper Stuttgart
1 : 1 Concerts
Nichts als zwei Menschen, Blicke – und Musik! Am 1. Mai 2020 gingen das Staatsorchester Stuttgart und das SWR Symphonieorchester gemeinsam mit einem brandneuen Konzertformat an den Start: den 1:1 Concerts! Unter Beachtung des Sicherheitsabstands treffen je ein*e Musiker*in und ein Gast aufeinander. Ohne Worte und nur mit Blickkontakt ergibt sich ein persönliches 10-minütiges Konzert an einem besonderen Ort, wie dem menschenleeren Stuttgarter Flughafen. Nach dem Konzert steht es dem Gast frei, für den Nothilfefonds der Deutsche Orchester-Stiftung einen beliebigen Betrag zu spenden. Wie Sie Gast bei einem 1:1 Concert werden können und wie Sie Ihr eigenes 1:1 Concert hosten können, erfahren Sie auf unserer Website.
Staatsoper Stuttgart
Stuttgarter Ballett

Fabio Adorisio und Ami Morita mit Hyo-Jung Kang und Roman Novitzky in Patterns in ¾, Foto: Stuttgarter Ballett
Patterns in ¾
Am kommenden Wochenende zeigt das Stuttgarter Ballett im Rahmen der Serie StuttgartBallet@Home Edward Clugs gefeiertes Patterns in ¾. Anlässlich des 100-jährigen Bauhaus-Jubiläums im vergangenen Jahr hat Clug ein Stück kreiert, das die inhaltlichen und ästhetischen Elemente des Bauhauses mit einem humorvollen Augenzwinkern aufgreift. Der Mitschnitt der Premiere wird vom 7. Mai um 18:00 Uhr bis zum 10. Mai um 22:00 Uhr auf dem YouTube-Kanal und der Website des Stuttgarter Balletts als Video-on-Demand abrufbar sein.
Stuttgarter Ballett
Schauspiel Stuttgart

Calixto Bieitos Inszenierung Italienische Nacht ist ab 8. Mai online zu sehen, Foto: David Baltzer
Italienische Nacht und Europeana
DIE VIELEN verstehen Kunst und ihre Einrichtungen als offene Räume, die allen zugänglich gemacht werden müssen. Diese gilt es gegen Ein- und Angriffe rechter Populisten zu verteidigen, die eine Renationalisierung der Kunst fordern. Ödön von Horvàth spürte in seinem 1931 uraufgeführten politischen Volksstück Italienische Nacht dem Erstarken rechtsnationaler Kräfte und der Blindheit der demokratischen Kräfte vor dem aufziehenden Nationalsozialismus nach. Ab dem 8. Mai um 18 Uhr werden wir die Inszenierung des Schauspiels Stuttgart in der Regie von Calixto Bieito online zeigen.
Außerdem beginnen unsere Schauspieler*innen ihr Videoprojekt Europeana. Sie lesen fortlaufend aus der düsteren Groteske von Patrik Ouředník.
Schauspiel Stuttgart
Für eine freie und selbstbestimmte Ukraine.

Bundes-Jogi
Benutzeravatar
Grasdaggl
Unter Westfalen hat geschrieben:Newsletter vom Staatstheater Stuttgart:

Liebes Publikum,

die geplante Saison 2019/20 ist beendet - wir spielen aber weiter für Sie: Online können Sie die Compagnie des Stuttgarter Balletts und das Ensemble des Schauspiels Stuttgart erleben. Das Staatsorchester Stuttgart ersetzt den Orchestergraben durch den öffentlichen Raum und einzelne Musiker*innen spielen jeweils für ein Ein-Personen-Publikum. Vielleicht für Sie?
Außerdem erinnern alle drei Sparten gemeinsam mit den VIELEN an das Kriegsende vor 75 Jahren und beteiligen sich mit Videobotschaften im Netz.

Wir wünschen Ihnen viel Vergnügen mit unserem alternativen Spielplan - Fortsetzung folgt!
Ihre Staatstheater Stuttgart
Inhalt
Glänzende Aktionstage der VIELEN
1 : 1 Concerts
Patterns in ¾
Italienische Nacht und Europeana
Die Staatstheater Stuttgart

Glänzende Aktionstage der VIELEN
DIE VIELEN sind ein Bündnis von Kulturinstitutionen, dem die Sparten der Staatstheater angehören und das sich für die Freiheit der Kunst einsetzt. Die Glänzenden Aktionstage erinnern am 8. und 9. Mai an den 75. Jahrestag der Befreiung vom Nationalsozialismus und der Beendigung des Zweiten Weltkrieges und feiern ein offenes Europa der Vielen. In einer gemeinsamen Videobotschaft lesen über 30 Künstler*innen sowie Kulturinstitutionen aus Baden-Württemberg die Erklärung der VIELEN. Zudem beteiligen sich die Sparten der Staatstheater mit Videobeiträgen an den Aktionstagen, die im Stream der VIELEN sowie auf den Sparten-Websites online zu sehen sein werden. Am 8. Mai wird ab 12 Uhr mit Glockenmusik, Trompeten, Posaunen und Gesang ein musikalisches Zeichen des Erinnerns im Stadtraum Stuttgart gesetzt.
Oper Stuttgart

Ein außergewöhnliches Konzert-Erlebnis am Stuttgarter Flughafen: 1:1 Concerts, Foto: Staatsoper Stuttgart
1 : 1 Concerts
Nichts als zwei Menschen, Blicke – und Musik! Am 1. Mai 2020 gingen das Staatsorchester Stuttgart und das SWR Symphonieorchester gemeinsam mit einem brandneuen Konzertformat an den Start: den 1:1 Concerts! Unter Beachtung des Sicherheitsabstands treffen je ein*e Musiker*in und ein Gast aufeinander. Ohne Worte und nur mit Blickkontakt ergibt sich ein persönliches 10-minütiges Konzert an einem besonderen Ort, wie dem menschenleeren Stuttgarter Flughafen. Nach dem Konzert steht es dem Gast frei, für den Nothilfefonds der Deutsche Orchester-Stiftung einen beliebigen Betrag zu spenden. Wie Sie Gast bei einem 1:1 Concert werden können und wie Sie Ihr eigenes 1:1 Concert hosten können, erfahren Sie auf unserer Website.
Staatsoper Stuttgart
Stuttgarter Ballett

Fabio Adorisio und Ami Morita mit Hyo-Jung Kang und Roman Novitzky in Patterns in ¾, Foto: Stuttgarter Ballett
Patterns in ¾
Am kommenden Wochenende zeigt das Stuttgarter Ballett im Rahmen der Serie StuttgartBallet@Home Edward Clugs gefeiertes Patterns in ¾. Anlässlich des 100-jährigen Bauhaus-Jubiläums im vergangenen Jahr hat Clug ein Stück kreiert, das die inhaltlichen und ästhetischen Elemente des Bauhauses mit einem humorvollen Augenzwinkern aufgreift. Der Mitschnitt der Premiere wird vom 7. Mai um 18:00 Uhr bis zum 10. Mai um 22:00 Uhr auf dem YouTube-Kanal und der Website des Stuttgarter Balletts als Video-on-Demand abrufbar sein.
Stuttgarter Ballett
Schauspiel Stuttgart

Calixto Bieitos Inszenierung Italienische Nacht ist ab 8. Mai online zu sehen, Foto: David Baltzer
Italienische Nacht und Europeana
DIE VIELEN verstehen Kunst und ihre Einrichtungen als offene Räume, die allen zugänglich gemacht werden müssen. Diese gilt es gegen Ein- und Angriffe rechter Populisten zu verteidigen, die eine Renationalisierung der Kunst fordern. Ödön von Horvàth spürte in seinem 1931 uraufgeführten politischen Volksstück Italienische Nacht dem Erstarken rechtsnationaler Kräfte und der Blindheit der demokratischen Kräfte vor dem aufziehenden Nationalsozialismus nach. Ab dem 8. Mai um 18 Uhr werden wir die Inszenierung des Schauspiels Stuttgart in der Regie von Calixto Bieito online zeigen.
Außerdem beginnen unsere Schauspieler*innen ihr Videoprojekt Europeana. Sie lesen fortlaufend aus der düsteren Groteske von Patrik Ouředník.
Schauspiel Stuttgart


Horvaths ITALIENISCHE NACHT ist wirklich unbedingt zu empfehlen. Eine beklemmend aktuelle Inszenierung ohne viel Regie-Theater-Gedöns, sie bleibt sehr nah bei Horvath. Und wenn man bedenkt, dass das Stück 1931 herauskam ...
„Selbst das wildeste Tier kennt doch des Mitleids Regung“ – „Ich kenne keins und bin deshalb kein Tier“ (Richard III).